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Saturday, October 4, 2008
Classical Music
Classical music, like other forms of classical art, has not as many takers as those of light music. Nonetheless, classical music has its fans too and lots more are falling to its charms. Yet, those who turn to it often find it rather beyond their understanding and real appreciation. They are charmed by it, but they cannot critically explain why it appeals them. You cannot rationalize its appeal or beauty.
Another reason why a large majority of people are not very comfortable with classical music is its complexity and a sense of distance from the artist. Light music can be easily sung by ordinary artists with whom ordinary listeners can identify easily. It expresses the feelings of ordinary persons in their own language. Classical music, on the other hand, is rather mysterious and is rendered in diverse styles and it takes years, sometimes a life long time to understand .But its study has its rewards too. The more you study it, the more you enjoy it and the more you find it wonderful and worth the effort and hard work to study it.
The study or appreciation of classical music depends upon your individual taste. A form of music that appeals to you may not appeal to another person. You may come across experts who may try to influence you by their judgments about the quality of music. You may listen to them, but you should not compel yourself to like the music that they like. Or if you come across a much-acclaimed piece of music that you cannot really appreciate, you do not have to blame yourself for not liking it. You may of course try to find out why the particular expert likes a given piece of music. May be, you find some point to learn.
The most important thing about classical music is to listen to it as much as you can. Classical music CDs are available from many sources. If you are a student, your college library may have an abundant stock of classical music CDs. You can listen to radio, watch TV, and go to concerts and recitals. You can also get free downloads from the Internet, if you do not want to spend money.
Classical Music provides detailed information on Classical Music, Classical Music CD, Classical Music Downloads, Free Classical Music and more. Classical Music is affiliated with Country Music CDs.
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How To Play The Violin
Posted by violin-notes70523 | 8:32 PM | 
Electric *Violin* Shock Treatment!
An annoyed grimace spread across my conductor's face upon hearing a Bach concerto played with crunchy distortion in the band room before an orchestra rehearsal.
Expecting to find a headbanger guitarist mocking the establishment by shredding away at a time-honoured classic, his fury slowly melted into a pitying look of concern and sad loss, as if inside his head he was thinking, Dear God, there goes another one.
My dad had bought me an electric violin and I was making heads turn with my heavy variations on the classics.
The Zeta Strados Modern violin, with it's funky profile, maple flame finish and revolutionary bridge pickup design, has been the height of electric violin technology for some time. Technology aside, this violin made it possible for me to be regarded as cool by my peers, even though I was still playing music by dead guys with wigs.
My model even had five strings, which made it more of a violin/viola hybrid, the low range being perfect for raunchy power chords and guitar-like riffs.
Despite my conductor's fears, the arrival of the Zeta did not mean the end of my classical playing, though it did make me humbly aware of the huge proverbial iceberg of music that lay hidden beneath Beethoven and Mozart.
The electric violin made it possible for me to play in heavily amplified situations free from a fussy microphone and a clumsy mic stand and completely eliminated feedback. Word got out that there was an electric violinist at school and I played in all sorts of bands, from country to heavy-metal, jazz to pop and disco to swing.
I soon discovered this violin wasn't limited to playing in loud venues entirely. My Zeta became very useful in studio situations where consistent levels, tone and timbre are required. No microphone is needed here, so engineers don't have to fuss to get the mic in the exact same spot every session and the room doesn't have to have good acoustics. I just plug in my patch cable directly into the main mixer and play, leaving reverb and levels up to the engineer.
Forget the noises of passing trains, cell phones and even the player's breathing into the mic wrecking a good take. This gal stomps to the beat, playing free from headphone or isolation booths, and chatting it up with the engineer between solos. And since Zetas are designed to sound exactly like an acoustic violin rather than a bowed guitar, the end result sounds unmistakably like a regular, old-fashioned violin.
Granted, there are things you can do to tweak your violin into sounding quite unlike a violin. I plug into an effects box and play with chorus, reverb and distortion effects. Better yet, Zeta makes the Synthony, a synthesizer that converts the violin's analogue signal to MIDI.
Jargon aside, with this tool you can make your Zeta sound like anything from a trumpet to a Chinese gong or any other sound imaginable. With more features than I can list, the Synthony isn't cheap, which explains why I'm still stuck in analogue mode.
Which brings up cost: Even though electric violins have no acoustic body, there is still a vast difference between low and high end models. Dont be swindled into buying a cheap $150 instrument from anyone, no matter how nice the thing looks in the photo.
Remember that you get what you pay for and electric violins, like any new technology, have become a market for suckers. You wouldnt buy a $150 stereo system, whyd you buy a $150 instrument and amp? Such bargains sound nothing like a violin, feedback terribly when amplified and never last very long due to cheap components. Just like acoustic violins, youre better off saving up for a good violin rather than throwing good money after bad.
Heck, its worth getting a fine electric violin just for the looks you get from other players! Ive always enjoyed the double and triple-takes I get when I play the Zeta anywhere. I also reserve full bragging rights when speaking to other electric violinists. Denis Letourneau, one of my violin idols in BC, Canada, has a green one- of-a-kind Thompson violin, Green Dragon. Hed kill to have a Zeta though, so Ive always got something to hold over him whenever we talk shop!
As a year-end treat I the Zeta into lessons and teach my violin students about reverb, distortion and the concept of studio recording. Shocked faces, similar to the aforementioned expression of my former conductor, meet the music as concerned parents witness their children creating gruesome variations on their lesson songs.
The kids absolutely love playing on it, especially with distortion and reverb. The shyest of students are rock stars as they bang out a G major scale at full volume. That's the beauty of this instrument: even a scale or arpeggio becomes fun for students.
I usually teach students a pentatonic scale or show them how to pull off power chords in 5ths. This literally keeps them occupied for the entire lesson and they leave only grudgingly. This at the final lesson of the summer when most kids are not at all keen to be indoors or learning scales. They leave the lesson motivated to practice their butts off and prove to their parents they are dedicated enough to deserve one too.
I've created a monster, I say to myself, knowing these parents will be inundated with requests for in the car on the way home.
Check out Zeta at http://www.zetamusic.com and tell them about my endorsement of their 5-string Strados Modern violin! Maybe they'll sponsor me...
**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years.
She currently writes columns for two Canadian publications and has been featured in Australia's "Music Teacher Magazine." Writing allows her to teach people that the world of music is as fun as you spin it to be!
Rhiannon's business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards for her commitment to excellence. Her shop offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca
Rhiannon is also Founding President of the Shuswap Violin Society which promotes violin & fiddle music and helps young musicians in need: http://www.violinsociety.ca
Learn How To Play The ViolinLearn How To Play The Violin
How Play Violin
Posted by violin-notes70523 | 8:30 PM |
Oct 4, 2008